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Channay-sur-Lathan

Indre-et-Loire (37)

Channay-sur-Lathan

EGLISE SAINT-QUENTIN

St. Quentin: Roman martyr whose relics were already at Saint Vermant (the present Saint Quentin in the département of Aisne) in the reign of Clovis. His name means that he was the fifth child of the family

The church dates from the 12th century but has undergone major alterations. The nave and apse are Romanesque. The north chapel was added in the 15th or 16th century. The original west façade is concealed behind the modern tower

North-west view
North-west view
The Romanesque chevet
The Romanesque chevet
The chevet (close-up)
The chevet (close-up)
Nave, chancel and retable blocking access to the Romanesque apse
Nave, chancel and retable blocking access to the Romanesque apse
North chapel (15th C.) : key
North chapel (15th C.) : key
North chapel: bracket
North chapel: bracket
Brass plaque commemorating the death of Jehan de Savonnières on 23 November 1612
Brass plaque commemorating the death of Jehan de Savonnières on 23 November 1612

TO THE HIGH AND MIGHTY LORD JEHAN DE SAVONNIERS, LORD OF SAINT-GERMAIN, VIVIER DES LANDES AND G... YOUNGER SON OF LA ROCHE, KNIGHT OF THE ROYAL ORDER, COMMANDER OF A REGIMENT OF TEN COMPANIES OF FOOT, CAPTAIN OF A COMPANY OF MOUNTED HARQUEBUSIERS

Coats of arms on the Savonnières family
Coats of arms on the Savonnières family

THE WALL PAINTINGS

Until the 1950s, no one suspected the presence of wall paintings in St. Quentin's at Channay-sur-Lathan. The Romanesque apse had been concealed and blocked by a stone retable since the 17th century. In the 50s, two idle kids found a gap in the retable and crawled into the apse. They found gragments of wall paintings lying on the ground and , liking the colours, took two of them home. The fragments were studied and reproduced in watercolour, then everyone forgot the incident. Recently, one of the two fragments has been found and the DRAC (Dierction Régionale des Affaires Culturelles) published a short study on this elusive and inaccessible apse. The second fragment has not been found

Probing window in the north wall of the nave
Probing window in the north wall of the nave
The fragment recently recovered represents the Descent into Limbo. It is an oil painting, which probably dates back to the 15th century
The fragment recently recovered represents the Descent into Limbo. It is an oil painting, which probably dates back to the 15th century
Watercolour by Mme Bertaux (1955): Deposition from the Cross
Watercolour by Mme Bertaux (1955): Deposition from the Cross

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