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Villiers-au-Bouin

Église Saint-PierreIndre-et-Loire (37)

Let's take a journey through time: what would a pilgrim recognize if he came from the time the church was built (in this case, the 11th century) and what happened to alter the edifice almost beyond recognition?
Let's take a journey through time: what would a pilgrim recognize if he came from the time the church was built (in this case, the 11th century) and what happened to alter the edifice almost beyond recognition?

Usually, the visit of a church is a voyage through space: you enter by the west or north door, walk up the nave to the chancel, apse or chevet or, then you explore the aisles, the transept and the side chapels. You are rarely allowed to climb up the tower or crawl down into the crypt, if there is one.

1) Coming from the east, the 11th-century pilgrim would probably recognize the lower part of the nave walls made of rubble bond or course, that is to say stones of irregular sizes and shapes bonded with mortar.
1) Coming from the east, the 11th-century pilgrim would probably recognize the lower part of the nave walls made of rubble bond or course, that is to say stones of irregular sizes and shapes bonded with mortar.

2) Moving west, he would notice that the stones are more regularly aligned and that they all have roughly the same size and shape. Thus in the 12th and 13th centuries, less mortar was needed and the appearance became more pleasant

Villiers-au-Bouin, Église Saint-Pierre

3) Looking up, the 11th-century pilgrim would recognize the window on the left and its rounded arch used since the beginning of the Romanesque period, just like the twin windows at the base of the tower. However, the opening on the right is quite different: larger, surmounted by a pointed arch, it is filled with a decorative tracery and stained glass. More than a century will be necessary for this "fashion" to become widespread.

4)The clock-tower is massive, and though some elements are Romanesque, the presence of an angle turret and the absence of openings in the median part, seem to indicate that this part of the church was fortified during the wars of religion in the late 16th century, like its neighbour, Souvigné's Saint Pierre.
4)The clock-tower is massive, and though some elements are Romanesque, the presence of an angle turret and the absence of openings in the median part, seem to indicate that this part of the church was fortified during the wars of religion in the late 16th century, like its neighbour, Souvigné's Saint Pierre.

5) Farther west, a Romanesque window, which would not surprise our traveller, a fortified angle turret, not familiar to our pilgrim but whose meaning he would easilly guess: wars and insecurity, which were the lot of many: the Great Plague, the Hundred Years War and the wars of religion in the the 16th century.

Villiers-au-Bouin, Église Saint-Pierre

6) But the 16th century also saw the flowering of the Renaissance, which had gradually spread all over Europe since the 15th century. Thus the arch surmounting the door, called a basket handle arch was already known in the 13th century but really became common between the 14th and 16th centuries.It is surmounted by an double curve arch decorated with crockets: this is really the end of the Middle Ages and some similar arches are common in the châteaux de la Loire

LES PEINTURES MURALES

THE WALL PAINTINGS

They date from the 16th century or later, like the coats-of-arms that were part of a funerary "litre" ( a sort of hatchment), which is still visible.

The nave and chancel with its two altarpieces
The nave and chancel with its two altarpieces

1) Sainte Marguerite d'Antioche - St. Margaret of Antioch:

Few know that St. Margaret is the patron saint of pregnant women and why.

In the reign of the Emperor Diocletian, a dragon swallowed her alive, but she escaped from its belly by tearing it open with a cross that she held. She is the patron saint of women in childbirth
In the reign of the Emperor Diocletian, a dragon swallowed her alive, but she escaped from its belly by tearing it open with a cross that she held. She is the patron saint of women in childbirth
head and tail of the dragon
head and tail of the dragon

2) SAINT CHRISTOPHE:

St. Christopher carrying an almost adult Christ-Child
St. Christopher carrying an almost adult Christ-Child

LEGEND

Si aujourd'hui une mort subite est parfois considérée comme une "belle mort", pour nos ancêtres c'était la pire façon de mourir. N'ayant pas eu le temps de se repentir de leurs péchés ni de recevoir les derniers sacrements, ceux qui mouraient soudainement étaient voués à l'enfer et ne pouvaient pas être inhumés en terre consacrée. C'est pourquoi, dans de nombreuses églises, Saint Christophe était représenté plus grand que nature, le plus souvent sous forme de peinture murale à l'entrée de la nef. Rappelons que selon la légende Saint Christophe était un géant qui souhaitait servir le plus grand roi de la terre et finit par être converti au Christianisme par un ermite. L'ermite lui enjoignit de vivre au bord d'une rivière profonde et dangereuse. Grâce à sa taille il pourrait porter les voyageurs et les pèlerins pour leur faire traverser la rivière. Un soir, un enfant lui demanda de le faire traverser. Au milieu de la rivière, l'enfant lui parut de plus en plus lourd, le courant de plus en plus fort et malgré l'arbre qui lui servait de bâton, Saint Christophe eut beaucoup de mal à atteindre la rive opposée. L'enfant - qui était l'Enfant-Jésus - lui expliqua que le fardeau qu'il venait de porter était le poids du monde et de son créateur. Il lui dit de planter son bâton en terre et le lendemain matin, le bâton avait fleuri et portait des dattes.

If nowadays a sudden death is sometimes considered as a "peaceful death", for our ancestors it was the worst possible way of dying. Unable to repent their sins and receive the Last Rites, those who died suddenly were doomed to Hell and could not be buried in consecrated ground. This is why, in many churches, Saint Christopher was represented larger than life, most of the time in the form of a mural painting on the northern wall of the nave. You probably remember that, according to legend, Saint Christopher was a giant who wished to serve the greatest king on earth and finished by being converted to Chritianity by a hermit. The hermit told him to live by a deep and dangerous river. Thanks to his huge stature he would be able to carry travellers and pilgrims across the river. One night, a child asked him to be carried across. Halfway across the river, the child seemed to become heavier and heavier, the current stronger and stronger and even with his tree-staff Saint Christopher could only just manage to reach the opposite bank. The child - he was the Christ-Child - explained to him that the burden he had just carried was the weight of the whole world and its creator. He told him to plant the staff in the ground and the next morning it had bloomed and bore dates.

3) SAINTS: - scarcely legible

4) L'ENFER (- scarcely legible))
4) L'ENFER (- scarcely legible))
Villiers-au-Bouin, Église Saint-Pierre

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