Home › Churches › Nouvelle-Aquitaine

Boussac-Bourg

Creuse (23)

Chapelle de l'Assomption de la Vierge

The church or chapel of the Assumption of the Virgin, at Boussac-Bourg, dates from the 11th century and consists of a single bay covered with a round-arch vault and prolonged by a semicircular apse. The tower is modern. The wall paintings date back to the 12th century

Curious twin churches at Boussac-Bourg: Left, St. Martin's; right the chapel of the Assumption of the Virgin
Curious twin churches at Boussac-Bourg: Left, St. Martin's; right the chapel of the Assumption of the Virgin
Chapel of the Assumption of the Virgin, west façade
Chapel of the Assumption of the Virgin, west façade
Apses of the chapel of the Assumption of the Virgin (left) and of St. Martin's (right)
Apses of the chapel of the Assumption of the Virgin (left) and of St. Martin's (right)
Semidomed apse with traces of a tetramorph
Semidomed apse with traces of a tetramorph
MajestasNativityBaptism of ChristSt. Christopher carrying the Child Christ
MajestasNativityBaptism of ChristSt. Christopher carrying the Child Christ

THE WALL PAINTINGS

The prioral church of Boussac-Bourg was decorated with two registers of wall paintings. There are still remarkable fragments. In the apse, the ox, attribute of St. Luke, is part of a tetramorph that has practically disappeared. On the right of the axial window is a remarkable Nativity and in the lower register the Baptism of Christ. On the south wall, crusade scenes with knights and horses and a St. Christopher carrying the Christ Child

St. Luke
St. Luke
Saint Christopher carrying the Child Christ
Saint Christopher carrying the Child Christ
St. Christopher (closeup)
St. Christopher (closeup)
Crusade scene
Crusade scene
Crusade scene (closeup)
Crusade scene (closeup)
Crusader with his long almond-shaped shield
Crusader with his long almond-shaped shield

The Nativity scene is both rare and remarkable with its use of perspective and the richness of the pigments used. The scene is framed by the oval summit of a crenellated tower, giving a perspective effect very unusual in the 12th century. Even the Christ Child's crib is represented in perspective. The Virgin, lying under a blue blanket scattered with stars, is pointing her finger at the Child; Joseph is looking at her lovingly; the ox, which with the donkey, is watching over the Child, is staring at Joseph. Mary's back is propped against cushions and her cover is light blue; Jesus is in a crib under a dark-green cover. Red and yellow ochres are also used in the rest of the painting, with a correspondence between the colour of the Child's hair and his Mother's halo and between the Virgin's veil and the infant's nimbus

Under the crib a very incomplete Latin inscription might read: "In this crib I recognized the Lord
Under the crib a very incomplete Latin inscription might read: "In this crib I recognized the Lord

HOME PAGE

P>//-->

Location and nearby churches