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Cossé-en-Champagne

Église Saint BlaiseMayenne (53)

ARCHEOLOGY OF MURAL PAINTINGS

Cossé-en-Champagne, Église Saint Blaise
Cossé-en-Champagne, Église Saint Blaise
Cossé-en-Champagne, Église Saint Blaise

Cossé: Saint Blaise

Cossé-en-Champagne is a small village in the département of Mayenne. Its church, dating back to the 11th and 12th centuries, is dedicated to the Virgin and to Saint Blaise. The choir is Gothic but the nave has not undergone too many alterations since the 12thcentury. This Romanesque church is particularly interesting because it enables us to see "live" how mural paintings that had been forgotten for centuries are being rediscovered. It is extremely moving to see a face, a figure, reappearing under the greyish coating of plaster, allowing us to go back in time, six, seven or eight centuries.

There are several reasons why Romanesque mural paintings were forgotten for so long. After the 13th century they were often covered with new paintings corrresponding to the new tastes and theological concepts of an evolving Church. Later, the new paintings themselves were either destroyed or covered with whitewash or plaster. Beneath the plaster four or five different painting campaigns are sometimes found. Often, these "frescoes" (see glossary) are discovered by chance during restoration work. More and more often the walls are carefully probed to see what lies beneath the plaster. A small "window" is cut through the plaster before beginning more important clearing work.

Probing window (April 2002)
Probing window (April 2002)
Cossé-en-Champagne, Église Saint Blaise
Cossé-en-Champagne, Église Saint Blaise

Two heads visible again after 4 or 5 centuries

A face...
A face...
a hand...
a hand...

The oldest painting discovered so far is a masonry pattern of dressed stones dating to the 13th century ( joints are painted on the whitewash to simulate courses of large dressed stones)

Masonry pattern
Masonry pattern

THE WALL PAINTINGS

Two years later, in July 2004, the paintings of the chapel dedicated to St Anne were uncovered. Under 37 different layers, 15th-century wall paintings have been revealed and stabilized. The most remarkable and legible scenes are: a Parousia, a concert of musician angels and various representations of the lives of saints

Cossé-en-Champagne, Église Saint Blaise
Cossé-en-Champagne, Église Saint Blaise

Right: the altar dedicated to St Blasius and a reliquary. In front of the pulpit, a huge crozier decorated with a vine

General view of the chapel dedicated to St Anne and its wall paintings
General view of the chapel dedicated to St Anne and its wall paintings

1) Parousia (the Second Coming of Christ):

Christ the Judge on a globe symbolizing the world and the Church. On his right, the Holy Virgin, surprisingly tall (she is almost as tall as Christ) acting as intercessor for humanity
Christ the Judge on a globe symbolizing the world and the Church. On his right, the Holy Virgin, surprisingly tall (she is almost as tall as Christ) acting as intercessor for humanity

2) Concert of musician angels:

Musician angels, chapel vault east: the angels play soft-sounding instruments (lute, viol, hurdy-gurdy)
Musician angels, chapel vault east: the angels play soft-sounding instruments (lute, viol, hurdy-gurdy)
Musician angels: hurdy-gurdy (left) and viol
Musician angels: hurdy-gurdy (left) and viol
The angels on the west side (more profane) play noisier instruments (flute, tambourine, trumpet)
The angels on the west side (more profane) play noisier instruments (flute, tambourine, trumpet)
Musician angels: the angel on the right is holding a scroll inscribed with a verse from a psalm for All Saints' Day, the one on the left is playing the trumpet
Musician angels: the angel on the right is holding a scroll inscribed with a verse from a psalm for All Saints' Day, the one on the left is playing the trumpet
Cossé-en-Champagne, Église Saint Blaise
Left: St Mamert holding his bowels; right, St Eutrope
Left: St Mamert holding his bowels; right, St Eutrope

Location and nearby churches