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Crannes-en-Champagne

Église Saint-Cyr et Sainte JulitteSarthe (72)

Crannes-en-Champagne, Église Saint-Cyr et Sainte Julitte
Crannes-en-Champagne, Église Saint-Cyr et Sainte Julitte

The present sacristy is all that is left of the primitive Romanesque chapel; the chancel is Gothic and the whole edifice underwent significant alterations in the 16th and 18th centuries. At the inetersection of the transept and south wall of the nave, a typical "balet" ( a pillared canopy) supported by wooden posts

Retable typical of the Counter-Reformation period (1773) by sculptor Ribailler
Retable typical of the Counter-Reformation period (1773) by sculptor Ribailler
Crannes-en-Champagne, Église Saint-Cyr et Sainte Julitte

Paintings, gilded frames and marble columns: during the Counter-Reformation and particularly after the Council of Trent (1545-1563), the Jesuits used the visual arts to revitalize faith and distinguish the Catholic Church from the various Protestant denominations

WALL PAINTING

This wall painting is on the east wall of an oratory or chapel, which is now used as a sacristy (the sacristy is not open to the public).

Crannes-en-Champagne, Église Saint-Cyr et Sainte Julitte

St. Michael Trampling on the Defeated Lucifer. Of St. Michael only the spear and the foot and leg pinning the gragon to the ground are still legible. The creature has the body of a man but its hands and feet are armed with claws. It is half demon and half human

Lucifer (close-up)
Lucifer (close-up)

CHAPELLE NOTRE-DAME DE PITIE

The chapel of Our Lady of Sorrows was built in the 16th century on the way from Mont Saint-Michel to St. James of Compostella. It consists of an aisleless nave prolonged by a rectangular chevet. Two lateral chapels, somewhat more recent, are dedicated to the Visitation (north) and to St. Radégonde south). The chancel is adorned with a natural wood 17th-century retable framed by two wooden columns. Above, the central niche houses a pietà

The Chancel and retable
The Chancel and retable
The altar and its Cordouan antependium
The altar and its Cordouan antependium
Central niche above the retable: pietà
Central niche above the retable: pietà
North chapel: Visitation (16th century)
North chapel: Visitation (16th century)
18th-century terra cotta Virgin and Child
18th-century terra cotta Virgin and Child
St. Michael Trampling on the Dragon
St. Michael Trampling on the Dragon
Tombstome of Elie Drouez, vicar at Douillette
Tombstome of Elie Drouez, vicar at Douillette

CY GIST LE CORPS DE *****HERE LIES THE BODY OF

VENERABLE ET DISCRET *****VENERABLE AND PRUDENT

ME ELIE DROUEZ PTRE***** MER ELIE DROUET PRIEST

…… CURE DE DOUILLET***** ........ CURE OF DOUILLET

NATIF DE CETTE PARR. AGE ****** NATIVE OF THIS PARISH AGE

DE .. ANS DECEDE LE …. *****WHO DIED ON ...........

FEVRIER 1606 LEQUEL A ******FEBRUARY 1606 AND WISHING

DESIRE ESTRE INHUME EN******TO BE BURIED IN

CE LIEU A DONNE A LA FABRI- ******THIS PLACE GAVE TO THE CHURCH

QUE DU DIT CRANNES 200'' *****COUNCIL OF CRANNES

DE RENTE A PERPETUITE *****A RENTCHARGE IN PERPETUITY

A LA CHARGE QUE LE PROC- *****OF 200'' ON CONDITION THAT

UREUR DE LA DITE FABRIQUE *****THE CHAIRMAN OF THE SAID

DONNERA 10'' PAR AN A MON- ******COUNCIL GIVE 10" ANNUALLY

SIEUR LE CURE 40'' AU PRETRE QUI ******TO THE CURE 40" TO THE PRIEST

CELEBRERA TOUS LES VAND- ****** TO CELEBRATE MASS EVERY

REDIS ET SAMEDIS 2 MESSES ******FRIDAY AND SATURDAY 2 MASSES

A L'AUTEL DE STE RADEGONDE******AT THE ALTAR OF ST. RADEGONDE

ET 100'' AU MAISTRE D'ECOLE ******AND 100'' TO THE SCHOOLMASTER

QUI INSTRUIT LA JEUNESSE ******WHO INSTRUCTS THE YOUNG

LE TOUT COMME IL EST POR- ******ALL THIS AS STIPULATED IN THE

TE PAR ACTE PASSE PAR MTRE ******DEED PREPARED BY C. LEROY

C. LEROY NRE REQUIES- ******NOTARY PUBLIC REQUIESCAT

CAT IN PACE AMEN *******IN PACE AMEN

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